Friday, March 29, 2019

Flower for the Day Hyacinth 3-29-19

And then the hyacinths appear. The hyacinth flower name has an interesting story. In Greek mythology, Apollo the sun god and Zephyr the god of the west wind compete for a young boy's affections. At one point Apollo is teaching Hyakinthos how to throw the discus and Zephyr gets so angry that he blows a gust of wind in Apollo's direction, which sends the discus hurling back in the direction of Hyakinthos, striking and killing him.  Apollo, brokenhearted, notices that a flower springs up from the blood that was spilled and names the flower hyacinth in honor of the boy. These flowers have been blooming in the gnome garden for over thirty years.


If of thy mortal goods thou art bereft
And from thy slender store
Two loaves alone to thee are left,
Sell one, and with the dole,
Buy hyacinths to feed thy soul.
– Saadi, Persian poet


Wednesday, March 27, 2019

Flower for the Day Daffodil 3-27-19

Welcome to Spring and our first daffodil. It a scraggly little flower but will be joined soon by its extensive family.


William Shakespeare

"When Daffodils Begin To Peer..."
When daffodils begin to peer, -- 
With hey! The doxy over the dale, -- 
Why, then comes in the sweet o' the year; 
For the red blood reigns in the winter's pale.
 
The white sheet bleaching on the hedge, -- 
With hey! the sweet birds, O, how they sing! -- 
Doth set my pugging tooth on edge; 
For a quart of ale is a dish for a king.
 
The lark, that tirra-lirra chants, -- 
With hey! with hey! the thrush and the jay, -- 
Are summer songs for me and for my aunts, 
While we lie tumbling in the hay. 
 
From "The Winter's Tale"
 
In Winter’s Tale  Perdita is the daffodil - spring anew in ‘nature’ and her bursting into the age where her impact would resonate with her family’s history she is revival of life itself.
 

Thursday, March 14, 2019

First Flower for the Day Crocus 3-13-19




There are big storms on the way in the Heartland. I have been hoping for a day or two of COLD weather so I can burn the "laid and ready to burn" fires in my two fireplaces so I won't have to take the logs outside again. 
And then on the way into the house I spot our first bloom. This crocus, alone in the entire garden is just opening.
It is Crocus acyrenus and is in the iris family.


What would it be like to wake up and be the only one?
This is what Emily Dickenson had to say 161 years ago.
The feet of people walking home
With gayer sandals go-
The Crocus-till she rises
The Vassal of the snow-
The lips at Hallelujah
Long years of practise bore
Till bye and bye these Bargemen
Walked singing on the shore.
Pearls are the Diver's farthings
Extorted from the sea-
Pinions-the Seraph's wagon
Pedestrian once-as we-
Night is the morning's Canvas
Larceny-legacy-
Death, but our rapt attention
To Immortality.
My figures fail to tel me
How far the Village lies-
Whose peasants are the Angels-
Whose Cantons dot the skies-
My Classics veil their faces-
My faith that Dark adores-
Which from its solemn abbeys
Such resurrection pours.
Emily Dickinson, 1858–#7

Friday, March 8, 2019

Don's Blog The Universe at Work 3-8-19

Something weird happened here the other day. My wife was getting the mail whenshe noticed something folded up in the back of the mailbox. It was a piece of lined yellow paperwith some printing covering both sides. This shows part of it.


It was an unsigned hand lettered copy of a poem by Robert Frost whom I am looking into this week.It completely covers both sides. Definitely a mysterious first.

Here is the poem.

The Tuft Of Flowers
Robert Frost

I went to turn the grass once after one
Who mowed it in the dew before the sun.
The dew was gone that made his blade so keen
Before I came to view the levelled scene.
I looked for him behind an isle of trees;
I listened for his whetstone on the breeze.
But he had gone his way, the grass all mown,
And I must be, as he had been, —alone,
As all must be, ' I said within my heart,
Whether they work together or apart.'
But as I said it, swift there passed me by
On noiseless wing a 'wildered butterfly,
Seeking with memories grown dim o'er night
Some resting flower of yesterday's delight.
And once I marked his flight go round and round,
As where some flower lay withering on the ground.
And then he flew as far as eye could see,
And then on tremulous wing came back to me.
I thought of questions that have no reply,
And would have turned to toss the grass to dry;
But he turned first, and led my eye to look
At a tall tuft of flowers beside a brook,
A leaping tongue of bloom the scythe had spared
Beside a reedy brook the scythe had bared.
I left my place to know them by their name,
Finding them butterfly weed when I came.
The mower in the dew had loved them thus,
By leaving them to flourish, not for us,
Nor yet to draw one thought of ours to him.
But from sheer morning gladness at the brim.
The butterfly and I had lit upon,
Nevertheless, a message from the dawn,
That made me hear the wakening birds around,
And hear his long scythe whispering to the ground,
And feel a spirit kindred to my own;
So that henceforth I worked no more alone;
But glad with him, I worked as with his aid,
And weary, sought at noon with him the shade;
And dreaming, as it were, held brotherly speech
With one whose thought I had not hoped to reach.
Men work together, ' I told him from the heart,
Whether they work together or apart.'

Whoever did it must know me, for as a gardener I can relate to the "leaping tongue of bloom"ing (sic) milk weed that the butterfly and the poet "lit upon" and I have "known the morning gladness"
with its "message from the dawn" and heard the "wakening birds" and felt a "spirit kindred to my own".

Whoever took the time to print this out knows me well.

Monday, March 4, 2019

Fwd:Don's Blog 'Found in Translation'




The leader of next Saturdays Green Center Tea Society discussion also sent out a long poem, Lost In Translation, (1976) by James Merrill. It starts with an epigraph:

Diese Tage, die leer dir scheinen
und wertlos fur das All,
haben Wurzeln zwischen den Steinen
und trinken dort überall.

This is my translation. I like to exercise my German muscle.

These days that have lost their shimmer
Seeming worthless for anything,
Have roots growing between the stones
Which absorb everything that is there.



Sunday, March 3, 2019

Don's Blog A Chance Step into Poetry 3-3-19

My most popular blog of the year (maybe of all time) in terms of responses was my post about my friend Stan several weeks ago. (donsessions.blogspot.com) Perhaps it was because his poetry touched us. One of the ripples was that a friend asked me to a poetry discussion next week at  The Green Center in University City. It is going to be a conversation about 'New Hampshire', a 1923 collection of poems by Robert Frost. This invitation in bleak mid winter ( we are in the midst of a snow storm - heavy March heart attack snow) hit me at the right time so I have begun to read Frost. 
I must admit that I know nothing of Frost's poetry rather than that its heavy and even less about the form of poetry itself. It is exciting to enter into something I know nothing of.
Here is a poem in the collection:

                     For Once, Then, Something


Others taunt me with having knelt at well-curbs
Always wrong to the light, so never seeing
Deeper down in the well than where the water
Gives me back in a shining surface picture
Me myself in the summer heaven godlike
Looking out of a wreath of fern and cloud puffs.
Once, when trying with chin against a well-curb,
I discerned, as I thought, beyond the picture,
Through the picture, a something white, uncertain,
Something more of the depths—and then I lost it.
Water came to rebuke the too clear water.
One drop fell from a fern, and lo, a ripple
Shook whatever it was lay there at bottom,
Blurred it, blotted it out. What was that whiteness?
Truth? A pebble of quartz? For once, then, something.

I had an idea of what he was saying.  Sometimes I have seen something beneath the surface and it was soon gone - evanescent. I'm thinking this stuff is cool.

Then I looked up an analysis on 'Poem Shape'. This poem turns out to be one of Frost'srarest poems in terms of form. It is Catullian Hendecasyllabic. You remember Catullus was Frost's favorite Latin poet. No, me neither. Latin poetry has a cadence that does not meld naturally with English listening. We are more into the rhythms of iambic pentameter - remember Beowulf?
But I am not going to let information from the academy about the form of this poem get in the way of my enjoyment of it. Sometimes you have to be careful what you wish for.

On the other hand perhaps it is time to get into accentual or anapestic language; trochaic meter with dactylic or tetramic feet, feminine (amphibrach) or cretic (amphimacer) endings and occasionally a molassus (a metrical foot of three syllable with stress on each syllable) - or not.