Bob Torrison was always finding innovative jazz musicians for us to listen to. One such artist was jazz pianist Lennie Tristano.
This 1956 album by Lennie Tristano was controversial for its innovative use of technology, with Tristano overdubbing piano and manipulating tape speed for effect on the first four tracks. Following the release of Lennie Tristano, the usage of multitracking and tape speed was widely questioned and criticized on the songs "Line Up", "Turkish Mambo" and "East Thirty-Second". In the case of "Turkish Mambo", Tristano played three separate and conflicting piano tracks, with left-hand rhythms of five, six and seven beats beneath right-hand improvisation. Tristano made specific reference to that song in defending his choice, stating that "[i]f I do multiple tapes, I don't feel I'm a phony thereby. Take "The Turkish Mambo". There is no other way I could do it so that I could get the rhythms to go together the way I feel them." On the question of tape speed, he added, "If people want to think I speeded up the piano on "Line Up" and "East Thirty-Second", I don't care. What I care about is that the result sounded good to me." (Wikepedia)